Patrick Crerand

 

 

About the Font

 

This text was set in Sükerhunde (Condensed), a typeface once thought typical of the Dutch Golden Age, but now more commonly known as the creation of Benny “How Sweet It Aint” Van Tiffin (1893-1943), an American entrepreneur and portly associate of Murder Incorporated, a New York crime syndicate. Van Tiffin created the typeface from broken bedspring shivs while awaiting his execution at Sing-Sing. Though the font takes its form from many classic Indo-Germanic styles (note the influence of Cruijkshank’s Gothic Leiden on its italicized face) one can certainly see the reflection of Van Tiffin’s life in the animalistic roughness of its letters, the incisor-like curves of certain vowels and the predacious cross-intersections of its consonants.

The name’s origin stems from the infamous sugar cookies Benjamin Van Tiffin carried with him, roughly hewn into canine shapes and sometimes left as calling cards at the scene of Murder Incorporated hits. The story, felt to be apocryphal, comes from his childhood. Van Tiffin’s mother was deathly allergic to domestic animals and would not allow him to have one, forcing Van Tiffin to make his own pet by biting a sugar cookie into the shape of a dog. The inevitable ostracizing he received from his parents and peers for carrying the sugar dog and the effect of inclement weather on such a fragile creation fueled Van Tiffin’s antisocial, psychopathic rage as an adult and led to his eventual distaste for all things sweet in life. He turned to books later in life and took a shine to printing untraceable death threats to pastry chefs in his new font just before his trial in 1943.

After Van Tiffin’s electrocution, Sükerhunde (Condensed), emancipated and adrift in New York without a patron, ran with a fast crowd and spent dark nights on prize-fight posters in alleys, earning little to no money — a bitter harbinger of its life in print for the next several decades. During the haze of the Free Love Era, it took solace in the arms of Arial, became hooked on pills and found itself italicized for days at a time, sprawled across the bellies of patchouli parlor harlots in sappy poems about the earth and harvest moon tides. A decade later you could find it in most disco era bathrooms, snorting up its dinner, its more useful letters long ago pawned off, including the cross of its lowercase t and the dot to its — anything to stay italic for just a little bit longer. Like so many other weaker fonts of the 80s, Garamond pimped it out to the subtitles of foreign skin films for less than a cent a word. It raced across the frames in bold to cover the scars on its face and vowels to no avail. While it did find a brief resurgence in the nineties with the advent of computers, later versions of most word-processing programs replaced it with flashier, newer fonts like Catamaran Condensed and Arabizzo 1 and 2. It was not until its e turned schwa in 2000 that it finally got clean, joined a good Bible-based church and became the staple of many philological workbooks like the one you have just read.

Sükerhunde (Condensed) currently lives in Palo Alto with Sandy, its golden retriever companion, and takes life one day at a time.

 

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Last updated:November 10. 2005.