Chantel Langlinais

 

 

FALL LEAVES

 

p                      o                      d                      n

eo                    ra                     ri                      ig

ple                   nge                  p                      ht

 

p                      y                      i                       e

as                    el                     nt                     ra

s                      low                  o                      ses

 

s                      red                   b                      can

pl                     w                     li                      v

int                    as                    nd                    ass

ered                 hes                  ed                    2

 

h                      o                      e                      n

an                    ve                     ye                    ot

d                      r                       s                      h (ing.)

 

 

 

 

NEW ORLEANS 1988

 

hands sugar coffee cups

amid orgasm of sound

 

                                    tourists

 

your gray hair

caught

 

in a cross chain

around your neck

 

the street corner mime makes me twisted

            shapes in blue and yellow

 

                                    we walk down

bourbon streets                      oak alleys

 

on Saturday you tell me

                                    you will die.

 

 

 

THE OBJECT STARES BACK

 

Exquisite and complicated pictures

frame perceptions opposite

of vision –

horned owls, iris, and ibis

(saints in the night

sky). Vision becomes myself

 

in a mirror, singing melancholy

to simplify absolutes;

compartments of shapes – detached – .

Blindness alters I’s art and

crystalline versions

quite the same way. Focus

 

your eyes

on just illusions – inconstant

seeing decorating it. Figures

closed never again see one-track

monographs

when you’ve seen enough.

 

 

 

UNDER THE HOURGLASS MOON

 

You show me Barthes’

garment gape

 

                        to Aida

                        I feel the bath and climb in his side

 

outside against the railing

 

 

Gnostic urizen makes no sense

but the brown iris does

 

                        draw a jackal head

                        and wash my hand in the sea

 

I almost love you.

 

 

 

(rewrite of a scene from Socrates’s Oedipus Rex)

 

The scene takes place in modern day Los Angeles. CARMEN is being set up on a blind date. Her friend KELLY is introducing her to this guy she met in her self-help group. His name is EDDIE. The scene begins with CARMEN waiting for EDDIE to show up at the restaurant.

 

CARMEN: (Talking on her cell phone) I don’t know why I let you talk me into these things…No, he hasn’t, and if he doesn’t soon, I’m leaving…I don’t give a shit what you think, I’m not going to be humiliated. It’s bad enough I haven’t had a date in over a year and sitting here by myself at a restaurant is not helping matters any…Fine. (Hangs up phone)

WAITER: Ma’am, can I get you another glass of wine?

CARMEN: No, but I think I’m ready for my check.

WAITER: Are you sure I can’t bring you an appetizer or something?

CARMEN: Really, just the check will be fine.

WAITER: I’ll bring it right out.

 

[A man enters in a door located behind CARMEN. He has two gauze pads over each of his eyes. He stumbles into the doorway and proceeds to feel his way around the restaurant. He knocks into the back of CARMEN’S chair.]

 

CARMEN: Why don’t you watch where the hell you are going!

EDDIE: Oh, my spirit groans for thee!

CARMEN: Oh God, I didn’t realize…

EDDIE: No, you are not as sick as I, dear one!

CARMEN: What the hell are you saying?

EDDIE: How shall I ask thee?

CARMEN: Ask thee what? Speak English.

EDDIE: I am looking for someone. How shall I find her?

CARMEN: You could start by telling me her name.

EDDIE: She calls herself Carmen.

CARMEN: I’m Carmen.

EDDIE: Carmen, my heart is filled with lamentation.

CARMEN: Huh?

EDDIE: Might I sit with you?

CARMEN: I’m going to kill Kelly for this.

EDDIE: Oh pray, do not speak of death!

CARMEN: It’s a figure of speech…Eddie is it?

EDDIE: That is true. I have been given the name Eddie. It is short for Oedipus.

CARMEN: Oedipus? I’m on a date with a guy named Oedipus. I think I’m going to need another drink after all. Waiter!

EDDIE: Ah yes, a drink. Some red wine bestowed upon us from the great Bacchus.

CARMEN: Bacchus?

EDDIE: God of wine.

CARMEN: Of course. How did I not know that. So, Eddie, what happened to you? Why were you so late?

EDDIE: Oh, how I wish I could blot it from my mind! The shame! Woe is me and my country of Thebes!

CARMEN: Calm down, Eddie. This is Los Angeles. 

 

[At this moment, a CHORUS enters, parading around the restaurant with staffs in hand.]

 

CARMEN: What the hell is going on here?

EDDIE: The agony! The torment I have seen!

CARMEN: Seen? I don’t understand this.

EDDIE: Yes, in my youth when I had sight and tried to free my country from their lamentations.

CARMEN: Okay, I have no earthly idea what you are talking about…

EDDIE: It is not of the earth! It is of the gods in the heavens!

CARMEN: Yeah, whatever you say. Look, I’m sure it’s not as bad as you’re making it out to be. It’s not like you murdered someone.

EDDIE: O God, the oracle has been seen by you as well, has it?

CARMEN: Holy shit, I don’t believe this! I’m getting out of here.

EDDIE: No, please! Do not leave me in this shame, my dear friend! I did not know it was my father! I didn’t realize I was married to my mother and that she lied to me!

 

[CARMEN is seen running from the restaurant.]

 

WAITER: Oh, I’m sorry. I thought you needed two glasses of wine. I’ll just take this one back.

EDDIE: No! Do not take them from me now!

WAITER: Bad night, huh?

EDDIE: Indeed. One cannot escape the fate of the gods.

WAITER: Uh huh. Name’s Lee if you need anything else.

EDDIE: No. Not unless you can offer me a life without pain.

WAITER: I’ll be back with the bottle.

 

 

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