|
|
Wynn
Yarbrough
Wynn hails from The
“love” comes from the friendly environment and relationships established
in |
Wynn Yarbrough So Far
Education
Teaching Experience
·
English 101, 102
·
Humanities 300-Twentieth Century British Culture
·
English 223- Creative Writing
·
English 360-Advanced Exposition
·
English 205-American Literature
· Humanities
300
·
English 101, 102
Publications
"Savoir Faire," Poetry
"
"At the Blue Oyster
Diner," Branches Quarterly,
October 2003-nominated for Pushcart Prize
"Duality," Southwestern Review, Spring 2004
"Mercury", Best of Branches 2003, Branches Quarterly
Anthology, Afternoon Lunch, Green Tricycle, Winter 2003
"Mercury", Branches Quarterly, January 2004
"elegy for
papa", Clockhouse Review, May
2004
"After the
Wreck," Clockhouse Review, May
2004
"Happy Hour,"
"Urbanna Marina," Southwestern
Review, Spring 2004
"Walter Anderson’s
Pine Island Logs", National
Association of Humanities Education, Spring 2005
"The Sirens,"
"You Don’t Know the
Half of It," LACC, Fall 2005
"Mapping to Make
Meaning" (article) , NAHE, 2006
Reviews:
Antjie Krog, A Change of Tongue (Random House)
Twentieth Century American Women Poets (Wesleyan Press)
Experimental Writing from the South (
Karen Volkman’s Spar (
Verse: The Second Decade (University of
Conferences/Awards
Marion Park Lewis Foundation
Grant
Creative
Writing Recipient, 2002, 2003, 2004
Shenandoah
Arts Council—
National Association of
Humanities Education Conference
Panel Member:
Teaching Creative Writing Through An Interactive Approach
British Women Writer’s
Conference-April 14, 2005
Moderator:
Women Poets
Sigma Tau Delta National
Conference: Past and Present
December 2004,
Creative
Writing
Honorable
Mention, Graduate Level, Fiction- "You Don’t Know the Half of It"
University
of Louisiana-Lafayette Graduate Reading Series
Rhonda/Maria
Experience Monthly Arts Night
Editorial Experience
Associate
Editor, Black Zinnias, December 2003-
Present
Interviews
Editor, Pedestal Magazine, April
2002- Present
Thomas
Lux, Nikki Giovanni, Octavia Butler, Ruth Stone, Stanley Kunitz, Antjie Krog,
Haydn Carruth
Wynn
on UL
First night in Lafayette, I stayed at the
Blue Moon Saloon where I ate grilled red snapper and eggplant with Mark and
Zack and split a bottle of Semillion Blanc; I’ve been hooked ever since.
Faculty and fellow students have demanded new growth and development in both my
academic writing and my creative writing while the community demands a faith in
good food, good music, and a festival almost every weekend. After a crash
course in balance, I’ve made it through my coursework. My scholarly interests
were scattered among the thousand interests of a book/word lover, until I
walked through (or went backward-maybe a little bit of both), the doors of
Children’s Literature.
Currently, I am working on my PhD comps
and narrowing down thesis ideas in Children’s Poetry. What other area can you
read Pinocchio or Alice in Wonderland and say “I’m studying, no really, no
really” and, for once, mean it honestly? My teachers have been more than
encouraging in my research on A.A. Milne, John Clare, and Thomas Hardy.
It’s hard to mention a favorite, but a
special plus for me in the Creative Writing program is the Collaborative night
at the Blue Moon in the spring: sort of a late night carnival of spoken word,
visual art, music and mosaic, performance and satire. People who see it (and
our Weekly Reading Series) come away impressed at how lively our program is.
Last year I wore an orange hunting cap and tights and read a poem about
superheroes (with accompaniment by Redneck Tyrie on guitar). Man, it don’t get
no better than that.
Read
a Sample of Wynn’s Writing
Go to UL Lafayette Creative Writing
Anthology
©
2003, University of Louisiana at Lafayette.
This site designed and maintained
by The Creative Writing Concentration of the English Department of the
To contact us by mail: Director
of Creative Writing, English Department, Box 44691, UL Lafayette, Lafayette
LA 70504-4691; by telephone, 337-482-5478;
by email, jlm8047@louisiana.edu.
Last updated: January 25, 2006.